In a peculiar turn of events, the British humanoid robot artist Ai-Da found herself detained at Egyptian customs, sparking diplomatic intervention to secure her release. Mistaken for an espionage device, Ai-Da, capable of creating paintings and sculptures, was held in isolation along with a sculpture she had crafted for 10 days.

Named after the English mathematician Ada Lovelace, Ai-Da is hailed as the world's first robot artist, created by British gallerist Aiden Meller. Despite the misunderstanding at customs, Ai-Da's potential as a creative force is undeniable. Her creators envision her being hired as a personal artist or employed in creative teams working with art and design.

The incident at the Egyptian border occurred as Ai-Da and her sculpture were en route to participate in the Forever is Now exhibition organized by Art D'Egypt at the pyramids of Giza. This exhibition aims to showcase the artistic capabilities of robots like Ai-Da and challenge perceptions about their role in society. However, customs officers raised concerns about Ai-Da's equipment, particularly her modem and cameras embedded in her eyes, leading to suspicions of a security threat.

Aiden Meller emphasized Ai-Da's status as more than just a machine, highlighting her rights and responsibilities as a member of the company. Despite being disconnected from the network throughout the ordeal, Ai-Da was eventually released, allowing the exhibition to proceed as planned.

This incident underscores the evolving relationship between humans and robots and raises questions about the integration of robotic technology into society. As we navigate this new frontier, the idea of hiring robots as employees may become increasingly common. Perhaps soon, robots themselves will actively seek employment opportunities, ushering in a new era where "Work for robots!" becomes a reality.